Monday, April 7, 2014

In Which I Reveal My Project, Process and Aspirations

Today I am participating in the Monday Blog Tour about writers' projects and processes. Many thanks to poet and YA science fiction writer LJ Cohen for tagging me!

1. What am I currently working on?

At present, I am putting the finishing touches on agent-suggested revisions to my historical novel set at the opulent court of François I in the winter of 1539. As François's arch-enemy Charles V of Spain arrives for a crucial state visit, three women--a painter, the king's mistress, and an artist's model--become embroiled in a web of rivalries that threatens the very peace of France. Narrated from the alternating perspectives of painter, patron and painted, the novel plumbs the world of the court artist and exposes the forces that transform the worthiest of ambitions into the most vicious of rivalries.

2) How does my work differ from others in the genre?

With a Ph.D in sixteenth-century French, I hope to offer a depth of research and a sensibility that will bring the early modern world fully alive. I present a broader, continental perspective on the ever-popular Tudor era by focusing on the court of François I, Henry VIII's personal and political rival, a man as equally fascinating and ambitious as the English king. François dreamt of transforming France into a New Rome of art and culture, and my novel centers on his efforts to build at Fontainebleau a palace to rival the glories of Italy. My work will appeal to readers with a penchant for France as well as readers of Tudor fiction who are looking for something different.

3) Why do I write what I do?

A life-long lover of France and French culture, I want to share the fascinating things I've learned in the course of my academic studies with a general audience. As a reader, I am always eager to find historical fiction set in early modern France, and am usually disappointed in my search--this rich period has hardly been plumbed! As a writer, therefore, I am following the advice writers so often hear--to write the books I myself would love to read. (Of course, I hope others will love to read them, too!)

4) How does my writing process work?

I've written two complete manuscripts, and the approach was slightly different for each. In my first manuscript, every character, with one exception, was a fictional creation. Wanting to explore the challenges that faced a woman with literary aspirations in the sixteenth century, but having no interest in writing a fictionalized biography, I took a historical situation and setting and, using the poet Louise Labé as a model, created my own cast of characters and plot. (Note--Not the best of strategies in a historical fiction market that thrives on books about "marquee" figures.) With my current manuscript, I changed tactics--nearly every character is historical, as well as the dramatic events I recount. I was lucky to discover during my research a happy coincidence of character, situation, and conflict that provided the framework of a plot whose gaps and motivations were just begging for elaboration.

As for my day-to-day writing process, it's pretty consistent and definitely far from glamorous. Once I drop my son off at school each morning, I sit in front of my computer writing and revising until it's time to pick him up in the afternoon. I work again in the evening after he's in bed. I write linearly, working from a loose outline, and am a slow, perfect-it-as I go kind of writer. No pantsing or go-with-the-flow first drafts for me! My outlines are fluid, however, as I often discover new ideas and possibilities as the story progresses and the characters develop. I am lucky to have the support of several dedicated writer friends, with whom I often check in during the day via email or Facebook as we work towards our separate goals. They help keep me on track, as does my husband, who has read every word in every draft of both novels and provides invaluable input on what does and does not work. I am sure he's as eager as I am to begin the submission process!

5) Nominate two authors to continue the Blog Tour.

I nominate Arabella Stokes, writer of sassy romance fiction with a Southern flair, and Laura Bradbury, a fellow francophile who has written a memoir about leaving a prestigious legal career to renovate a decrepit, revolutionary-era ruin in Burgundy. Their installments will appear on their blogs on Monday, April 14. You can read LJ Cohen's tour contribution here. Thanks again for the opportunity to participate and share a glimpse of my writerly world.

Tuesday, April 1, 2014

Review of THE PROMISE by Ann Weisgarber

Ann Weisgarber's THE PROMISE (Skyhorse Publishing, April 2014) is the story of two women's love for the same man, set against the backdrop of the devastating Galveston hurricane of 1900. Yet this wise and beautifully executed book is so much more than this description might suggest. With great insight and deep compassion, THE PROMISE explores the redemptive power of forgiveness--forgiveness of self, of others, and of fate. This spare, moving narrative resonates long after the treacherous storm winds it depicts die down.

Oscar Williams, a former coal delivery boy from Dayton, Ohio, has built a thriving dairy business on the gulf-exposed island of Galveston, Texas. Hardworking, generous, and self-effacing, Oscar has lost his young wife Bernadette to malaria and faces the prospect of raising his four-year-old son Andre on his own. Catherine Wainwright, Oscar's former classmate and unattainable first love who went on to become an accomplished pianist, revives the lapsed correspondence the two had once shared. Finding herself shunned by polite society for an extramarital affair with her cousin's husband and desperate to escape her difficulties, Catherine seeks out Oscar, hoping he will propose marriage. Without divulging her shame, she accepts his offer and abandons her cultured city life for a rough and arduous existence on the flat, sea-swept Texas island. Not only must she survive suffocating heat, snake-infested outhouses, the mistrust of a grieving child and her own guilty conscience, she must endure the disapproving animosity of Nan Ogden, the plain-spoken and devoted friend of Oscar's late wife, who has become his housekeeper and Andre's surrogate mother.

The two women could not be more different, and tale is narrated from their alternating viewpoints. Pride blinds each of them as they try to make sense of the other and of their feelings for Oscar. Although Nan won't admit it, she is more than a little in love with Oscar and jealous of the beautiful, incompetent woman he has chosen over her. Catherine, wounded from her failed affair, fights her growing attraction to Oscar and resists the refuge his kind gentleness and accepting reticence offer. As time goes on and Catherine begins to warm to Oscar's devotion, the situation becomes more than Nan can bear. But before she can make good on her decision to leave, a devastating hurricane hits the island, with tragic consequences. Tried by fear and danger, the women dig deep into themselves to protect Andre's fragile security and very life.

It is impossible not to view Oscar as a Christ-like figure, in love with Catherine despite her faults, eager to forget despite her unwillingness to seek forgiveness, patient, hopeful, kind and passionate. Recurrent appearances of pelicans, birds native to coastal waters but also traditional symbols of both Christian charity and the Redeemer himself, support this reading. Oscar admits a fascination with the birds, who manifest themselves at important moments in the book. His influence, compounded by the goodness and generosity of the simple island people she originally scorns, lead Catherine to a clarity about herself and her actions, revealing truths that she has long ignored. The question of whether Catherine has time to act upon this knowledge, however, keeps the reader turning pages as the storm bears down upon the island and threatens to snatch away the promise of a happiness that she does not deserve.

Ann Weisgarber is a masterful writer who plumbs the truths of the human condition while enthralling readers with tension-filled tales of characters caught in circumstances beyond their control. Her books offer a hope-filled vision of humanity that is missing from so many modern works. I was fortunate to read THE PROMISE last year when it appeared in a British edition and named it one of my "Best Reads of 2013." I appreciated it even more now upon a second read, and am thrilled that American readers now have the opportunity to enjoy it. I loved Weisgarber's first novel, THE PERSONAL HISTORY OF RACHEL DUPREE (Viking 2010), longlisted for the Orange Prize, but THE PROMISE simply blew me away. If you read one book this year, make it this one.

Ann Weisgarber is the author of THE PROMISE and THE PERSONAL HISTORY OF RACHEL DUPREE. She was nominated for England's 2009 Orange Prize and for the 2009 Orange Award for New Writers. In the United States, she won the Stephen Turner Award for New Fiction and the Langum Prize for American Historical Fiction. She was shortlisted for the Ohioana Book Award and was a Barnes and NobleDiscover New Writer.

THE PROMISE was inspired by a dilapidated house and by an interview Ann conducted when she was writing articles for a Galveston magazine. She wrote much of the novel in Galveston where pelicans glide along the surf and cows graze in pastures. Her debut novel, THE PERSONAL HISTORY OF RACHEL DUPREE, was inspired by a photograph of an unknown woman sitting in front of a sod dugout. It was published in England and France before being published in the United States.

Ann, who splits her time between Galveston and Sugar Land, Texas, is currently working on her next novel that takes place in Capitol Reef National Park, Utah, during the winter of 1888.

You can learn more about Ann at her website, which includes many historical photographs of Galveston the hurricane's aftermath.