You see, Nessa and I are more than just sisters. We are different--exceptional.
So writes Virginia Woolf to a friend in Priya Parmar's captivating new novel, VANESSA AND HER SISTER (Ballantine, 2014). Exceptional Virginia Woolf and Vanessa Bell certainly were--exceptional for their contributions to the world of art and letters, exceptional for their pivotal roles in the intellectual circle that gathered at their home, exceptional in the importance each held in the other's emotional life.
But whereas Virginia thrives on being more than "just sisters" with her sibling, the Vanessa Parmar presents in her novel would relish the more circumscribed role. Beneath the broader story Parmar paints with verve of the bohemian escapades and intellectual ebullience of the Bloomsbury intellectuals, the sisters' conflict--Virginia's determination to retain Vanessa's complete attention and Vanessa's desperation to escape this obsessive preoccupation--builds to an agonizing climax.
|Vanessa Bell (1902) by George Beresford|
|Virginia Woolf (1902) by George Beresford|
With keen psychological insight, Parmar explores the sisters' interdependence and follows the trail of need and betrayal to its unfortunate end. In so doing, she finds an inviting entry into the densely populated and much examined world of Bloomsbury. The sisters' conflict mirrors the larger questions of the age, illustrating the clash of theory and practice in the arena of values--for all their eagerness to jettison conventional roles and traditional virtues during debate, the characters find little comfort in their bohemian free-spiritedness when it comes to the concreteness of their particular lives. Based on extensive research and thorough familiarity with the historical characters' private papers, VANESSA AND HER SISTER delves deep into the sisters' psyches to elucidate the cause of their estrangement. Beautifully executed and ever convincing, Parmar's novel found a ready place on my list of the year's best reads.