Showing posts with label book reviews. Show all posts
Showing posts with label book reviews. Show all posts

Sunday, November 14, 2021

Review: DOWN A DARK RIVER by Karen Odden


Any novel that quoted Victorian poet Matthew Arnold's "Dover Beach" would be a favorite of mine, but when one of the victims in Karen Odden's just-released mystery DOWN A DARK RIVER (Crooked Lane) offers the poet's famous admonition--"Ah, love, let us be true / To one another! for the world /... / Hath really neither joy, nor love, nor light, / Nor certitude, nor peace, nor help for pain"-- as a message of hope, it's icing on an already delectable cake. Odden's fourth novel, the first installment of her new Inspector Corravan series, links matter and message together so profoundly readers will find themselves musing on the fundamental questions the novel poses long after they close the cover on this thoroughly satisfying read.

An expert in Victorian literature and culture, Odden conjures a vividly convincing setting populated with memorable characters that reverberate with historical and psychological authenticity. An emotionally scarred Irishman who grew up on the docks in the seedy Whitechapel district of London, protagonist Michael Corravan has traded the boxing ring for the neighborhood precinct. He now works for Scotland Yard at a time when the agency is under intense scrutiny for corruption. When a dead young woman in a ball gown is discovered floating down the Thames in a boat à la Lady of Shalott, Corravan must apprehend her murderer before newspaper coverage sparks panic among London's upper crust. Concurrently working on the case of a runaway wife, Corravan suspects the two cases might be connected, but all too soon another body comes floating down the river, then another.... Abrasive and irregular in his methods, Corravan incurs the censure of his superiors just as his investigation begins to bear fruit. With his career, the reputation of the Yard, the safety of his lover, and the lives of future victims on the line, Corravan pieces together the clues, only to face a soul-wrenching question--can justice be served in the face of horrendous injustice? Corravan's answer and actions to this dilemma upends the mystery genre's traditional norms and provides plenty of fodder for thought on the meaning of justice in an unjust world of stark class and economic disparities. 

Odden's intricate plot merits praise for its keen execution, but the completeness and particularity of her characters endows this novel deep emotional resonance. No cardboard characters populate these pages; the reader can sense the detailed backstory Odden has imagined for each and every player. Issues in the characters' pasts complicate their present, and the author reveals just enough in just the right places to elucidate the characters' motivations. Corravan's traumatic past shapes his effectiveness as an inspector in strong yet subtle ways, and readers will be pleased to discover a man of broad generosity and deep compassion behind his prickly exterior.

Though the novel's action takes place in the kitchens, gentlemen's clubs, and grimy streets of Victorian London, the issue at the heart of DOWN A DARK RIVER--whether the powerless can ever receive justice from the hands of the powerful who have wronged them--remains relevant, and just as thorny, today. Now, as then, the silenced need a voice to bring injustice to light. Through the efforts and humanity of Inspector Michael Corravan, a welcome addition to the ranks of fictional police inspectors, Karen Odden gives them one.

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Karen Odden earned her Ph.D. in English from New York University and subsequently taught literature at the University of Wisconsin-Milwaukee. She has contributed essays to numerous books and journals, written introductions for Victorian novels in the Barnes & Noble classics series, and edited for the journal Victorian Literature and Culture (Cambridge UP). Her previous novels, also set in 1870s London, have won awards for historical fiction and mystery. A member of Mystery Writers of America and Sisters in Crime and the recipient of a grant from the Arizona Commission on the Arts, Karen lives in Arizona with her family and her rescue beagle Rosy.

Visit her website to learn more about Karen and her novels.



Saturday, November 24, 2018

Review: THE BLUE by Nancy Bilyeau



Nancy Bilyeau's latest historical mystery, THE BLUE (Endeavor Quill, December 3), offers readers refreshingly different fare: a foray into the fascinating world of eighteenth century porcelain production and its obsessive quest for beauty.

Genevieve Planché, the English-born daughter of French Huguenots, has artistic talent but lacks the training necessary to become a history painter. Such training--as potential mentors repeat whenever she approaches them--exceeds the capabilities of women. Chafing under societal restrictions that limit her to painting flowers on silk, Geneviève hardly hesitates when Sir Gabriel Courtenay, a mysterious nobleman with curious connections, offers to send her to Venice to study art. The price? The secret formula for a vibrant new blue reportedly under development at the Derby Porcelain Works, England's premier porcelain manufactory. Derby is banking on the new blue pigment to lift their product and reputation above the exquisite porcelain of Sèvres, France. Courtenay's offer entices Genevieve to accept a position as a decorator at Derby, and with few scruples, she sets about learning the secret of the new blue. Losing her heart to the brilliant young chemist working on the formula only complicates matters, and soon Genevieve finds herself embroiled in a dangerous plot that crosses borders and redefines loyalties and liberty.

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THE BLUE's particular strength lies in its convincing evocation of the porcelain phenomenon of the mid-18th century as the basis for dynamic intrigue. Bilyeau skillfully works her extensive research on the history and techniques of porcelain production into Genevieve's education, first at the hand of Sir Gabriel and later on-site at the Derby and Sèvres manufactories. Benefitting from Genevieve's lessons, the reader learns fascinating facts about the origins of porcelain and its development into a luxury commodity. With a good portion of the novel's action set in the manufactories themselves, the reader witnesesses not only the conditions and methods of production, but the severe safeguards companies employed in order to protect their commercial advantage. Bilyeau's mastery of her subject allows her to weave an intricate, compelling plot that hinges on industrial espionage without ignoring broader social issues. Her characters' obsessions and the risks they take to satisfy them capture the contemporary craze for expensive goods during an era of economic uncertainty. The question of the injustice of the rich spending hundreds of pounds on a painted plate while the poor starve gives Genevieve's personal strugges a gravitas that the character herself is quick to recognize.

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For Genevieve never hesitates to take a vocal stand against oppression, be it religious, economic, or social, and her dedication to her ideals entails significant personal sacrifice. As a Huguenot, she carries a deep antipathy to France's Catholic king, whose persecution of her co-religionists forced them to flee their homeland. Her outrage against this injustice endangers her mission and future when her search for the blue leads her to Sèvres. As a working class artisan, Genevieve sides with her radical fiancé Denis, who instigates violent uprisings among the Spitalfields silkworkers to demand better working conditions. Her relationship with Denis turns her into an outcast in the Spitalfields community and costs her her job as a silk painter. As a female artist, Genevieve argues against the proprieties and prejudices that deny talented women necessary training. Disdaining decoration, she aspires to paint the realities of street and workplace as an impetus for reform. Her exclusion by the male artistic establishment leaves her no option but to embark on a morally questionable mission, one that she does not hesitate to embrace in order to pursue her vocation. With insight and finesse, Bilyeau creates in Genevieve Planché a protagonist readers won't soon forget: a spirited, determined woman willing to confront injustice head-on in her fight for a better world.

Fans of Nancy Bilyeau's Tudor trilogy (THE CROWN, THE CHALICE, and THE TAPESTRY) will not be disappointed with her latest endeavor. Thought-provoking at times and entertaining throughout, THE BLUE deserves a spot at the top of every historical fiction lover's To-Be-Read pile.

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Nancy Bilyeau has worked on the staffs of InStyle, DuJour, Rolling Stone, Entertainment Weekly, and Good Housekeeping. She is currently the deputy editor of the Center on Media, Crime and Justice at City University of New York and a regular contributor to Town & Country, Purist, and The Vintage News.

A native of the Midwest, she earned a bachelor's degree from the University of Michigan. THE CROWN, her fist novel and an Oprah pick, was published in 2012; the sequel, THE CHALICE, followed in 2013. The third in the trilogy, THE TAPESTRY, was published by Touchstone in 2015. Her fourth novel, THE BLUE, will be publishing on December 3, 2018.

Nancey lives in New York City with her husband and two children.

Visit Nancy's website or follow her on Twitter under the handle @tudorscribe.

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Ten signed copies of THE BLUE are currently up for grabs in a Goodreads giveaway ending December 1, 2018. Click here to enter.


Friday, September 15, 2017

Historical Novels Set in Sixteenth-Century France


Tired of Tudors and Borgias? If you enjoy historical fiction set in sixteenth century France, here are some novels to seek out:

Classics

The Princesse de Cleves (1678) by Madame de Lafayette (various translations). Set during the reign of Henri II, the story of married noblewoman Mme de Cleves' unrequited love for the dashing Duc de Nemours and the tragic consequences her confession of this love entails.

Queen Margot (1845) by Alexandre Dumas (various translations). The 1572 St. Bartholomew's massacre serves as the backdrop for the political machinations of Catherine de Medici.

Heinrich Mann (translated from the German)

Young Henry of Navarre (1935). Life of Henri of Navarre from his childhood in the Pyrenees to claiming the throne of France.

Henry, King of France (1938). Sequel describing the two decades of chaos and war leading up to the King's assassination.

Jean Plaidy

The Catherine de' Medici Trilogy: Madame Serpent (1951), The Italian Woman (1952), Queen Jezebel (1953), all reissued in 2013.

Royal Road to Fotheringay (1955). Young Mary Queen of Scots at the French court.

Evergreen Gallant (1963). King Henri IV.

Dorothy Dunnett

Queen's Play (1964). The second volume of the Lymond Chronicles; Lymond travels to France to protect young Mary Queen of Scots.

Checkmate (1975). The last volume of the Lymond Chronicles; Lymond is back in France, haunted by his past as he leads an army against England.

Robert Merle

Fortunes of France series (13 novels, 3 of which have been translated): The Brethren (1977), City of Wisdom and Blood (1979), Heretic Dawn (1980). The sixteenth century seen through the eyes of a Protestant doctor turned spy.

Various authors

The Wife of Martin Guerre (1941) by Janet Lewis. The story of Bertrande de Rols, whose husband Martin deserts her, then suddenly reappears after eight years. But is it really Martin who returns, or an impostor trying to usurp his place?

The King's Cavalier (1950) by Samuel Shellabarger. A young Frenchman and a young Englishwoman caught up in the wild plots and counterplots surrounding the Bourbon conspiracy against François I.

Blade of Honor (1955) by John Pugh. Cloak and dagger tale about the son of Catherine de' Medici's chief Italian advisor and the horrors of St. Bartholomew's Eve.

The Virgin Blue (1997) by Tracy Chevalier. A dual timeline story of an American midwife and her Huguenot midwife ancestor.

The Master of All Desires (1999) by Judith Merkle Riley. Catherine de' Medici, the prophet Nostradamus, and a bluestocking female poet battle to obtain an accursed object against a backdrop of religious civil war.

Courtesan (2006) by Diane Haeger. Romance of King Henri II and Diane de Poitiers.

Mademoiselle Boleyn (2007) by Robin Maxwell. Anne Boleyn's formation at the court of François I.

Apology for the Woman Writing (2009) by Jenny Diski. The story of Montaigne and his adopted daughter and editor, Marie de Gournay.

The Devil's Queen (2010) by Jeanne Kalogridis. Catherine de' Medici barters her soul to produce heirs.

The Confessions of Catherine de Medici (2011) by Christopher Gortner. Catherine de' Medici narrates the story of her reign. My review here.

To Serve a King (2011) by Donna Russo Morin. A female spy and assassin infiltrates François I's court.

Médicis Daughter (2015) by Sophie Perinot. Coming of age story of Marguerite, daughter of Catherine de' Medici during violent Wars of Religion. My review here.

And if you read French...

La Cour des Dames series by Frank Ferrand: La Régente noire (2008), Les Fils de France (2009), Madame Catherine (2010). The story of François I's reign, focusing on the women in his court: his mother Louise de Savoye, his mistress Anne de Pisseleu, and his daughter-in-law, Catherine de' Medici.

Enjoy! I'm about to plunge into The Brethren myself. And if I've missed any novels set in Renaissance France, please add them in the comments below!